Although three years have past since M. Ward’s last full-length solo album, he has kept plenty busy in the meantime. From producing great albums such as Rabbit Fur Coat (Jenny Lewis with the Watson Twins), to playing guest musician on albums from Bright Eyes and many others, and, of course, most recognizably as half of the critic’s darling, She & Him, with indie star Zooey Deschanel. Perhaps a smart move to take extra time before following up 2006’s Post War, which created much favourable buzz for the singer-songwriter. Ward acted as his own producer on Hold Time, and brought out some friends to Portland, OR to create this album. “For Beginners” opens the album with the familiar, husky voice of Ward producing a somewhat comforting feeling, which effectively sets the mood for the album. Followed by “Never Had Nobody Like You” featuring She & Him cohort, Zooey Deschanel. One of the best tracks on the album, proving that although Ward is undoubtably talented, his lyrics are best put to use when sung by someone with better vocals and a wider range. Deschanel also provides backup for Ward on “Rave On”. Several other tracks also benefit from having an extra vocalist. “To Save Me” features Jason Lytle of Grandaddy and “Oh Lonesome Me” brings famed folk rocker Lucinda Williams on board, whose voice works effortlessly with Ward’s. The title track is a much softer song than much of the rest of the album. The vocals have a whisper-like quality and the song sounsd like it could be a lullaby. “Stars of Leo” and “Epistemology” are two other memorable tracks. “Stars” has Ward telling his audience “I try to surround myself with real love/ You know the kind that makes the wheels go round.” “Epistemology” (meaning the branch of philosophy dealing with the limitations of knowledge - don’t worry, I had to look this one up) has Ward going through his database of knowledge trying to figure out what he could have done to deserve such a great love. The instrumental “Outro” ties up the album nicely. Hold Time is an album that has a sound that can be hard to distinguish what era it is from. It is a little bit rock, country, and folk, and Ward knows how to tie these influences and more into a cohesive album. Hold Time may not convert unfamiliar listeners into fans, but those who already listen to him will be more than satisfied with this latest effort.
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